Migration
Migration Stories
August 14 - September 25, 2021
Installation Photography : Christian Carone
Leslie Jean-Bart
Untitled #1, 2016
Archival Pigment print, Edition 15.
17 x 22 in
Leslie Jean-Bart
Untitled #3, 2016
Archival Pigment print, Edition 15.
17 x 22 in
Leslie Jean-Bart
Untitled #4, 2016
Archival Pigment print, Edition 15.
17 x 22 in
Leslie Jean-Bart
Untitled #5, 2016
Archival Pigment print, Edition 15.
17 x 22 in
Leslie Jean-Bart
Untitled #2, 2016
Archival Pigment print, Edition 15.
17 x 22 in
Leslie Jean-Bart
Untitled #6, 2016
Archival Pigment print, Edition 15.
17 x 22 in
Osi Audu
Self-Portrait after Efik Headdress, 2018
Pastel, graphite on paper mounted on canvas.
22 x 31 in
Osi Audu
Self-Portrait after Dogon Bird Mask, 2018 – 2021
Pastel, graphite on paper mounter on canvas.
22 x 31 in
Alicia Henry
Untitled, 2020 – 2021
Wool, synthetic wool, cotton, linen, acrylic, dye,
charcoal, thread, yarn. 48 x 42 in
Trokon Nagbe
Holding to give life, 2018
Mulberry paper. 60 x 48 in
Trokon Nagbe
Holding to give life, 2018
Mulberry paper. 42 x 40 in
Nadema Agard
Blue Night Turtle Moon-Birth Amulet of the West, 1993
Mix media soft sculpture, acrylic on canvas. 27 1/2 x 27 1/2 in
Nadema Agard
Yellow Day Lizard Sun-Birth Amulet of the South,1993
Mix media soft sculpture, acrylic on canvas. 27 1/2 x 27 1/2 in
Omid Shekari
Potency of the Conscious Crowd, 2021
Acrylic on canvas. 72 x 95 in
Terry Boddie
Blueprint, AP 3, 2012
Cyanotype on paper. 23 x 28 in
Ben Zalwalich
Rikki-Tikki-Tavi VIII, 2013
Etching, Aquatint, Mezzotint.
19 1/2 x 15 3/4 in
Ben Zalwalich
Rikki-Tikki-Tavi IX, 2013
Etching, Aquatint, Mezzotint.
19 1/2 x 15 3/4 in
Ben Zalwalich
Rikki-Tikki-Tavi I, 2013
Etching, Aquatint, Mezzotint.
19 1/2 x 15 3/4 in
Miguel Rivera
In Between II, 2020.
Mix Media print and drawing. 30 x 22 in
Miguel Rivera
In Between I, 2020
Mix Media print and drawing. 30 x 22 in
Pena Bonita
Noel's Journey, 2006
Photograph. 32 x 21 1/2 in
Helen Zughaib
Syrian Migration Series #1, 2017
Archival pigment print on German etching paper. 18 x 12 in
Helen Zughaib
Syrian Migration Series #10, 2017
Archival pigment print on German etching paper. 18 x 12 in
Helen Zughaib
Syrian Migration Series #13, 2017
Archival pigment print on German etching paper. 18 x 12 in
Helen Zughaib
Syrian Migration Series #14, 2017
Archival pigment print on German etching paper. 12 x 18 in
Helen Zughaib
Syrian Migration Series #16, 2017
Archival pigment print on German etching paper. 18 x 12 in
Helen Zughaib
Syrian Migration Series #17, 2017
Archival pigment print on German etching paper. 12 x 18 in
Helen Zughaib
Syrian Migration Series #21, 2017
Archival pigment print on German etching paper. 12 x 18 in
Helen Zughaib
Syrian Migration Series #22, 2017
Archival pigment print on German etching paper.
12 x 18 in
Tomie Arai
Momotaro Portfolio, 2003
9 Etchings. Each 15 x 11 in
Tomie Arai
Grief. Momotaro Portfolio, 2013
Etching. 15 x 11 in
Tomie Arai
Hope. Momotaro Portfolio, 2013
Etching. 15 x 11 in
Tomie Arai
Possibility. Momotaro Portfolio, 2013
Etching. 15 x 11 in
Tomie Arai
Father and Son. Momotaro Portfolio, 2013
Etching. 15 x 11 in
Tomie Arai
Peachboy. Momotaro Portfolio, 2013
Etching. 15 x 11 in
Tomie Arai
A Soldier's Story. Momotaro Portfolio, 2013
Etching. 15 x 11 in
Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in
Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in
Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in
Shervone Neckles
Give & Take Series, 2014.
Polymer plate print (3/10). 15 x 11 in
Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in
Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in
Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in
Shervone Neckles
Provenance, 2018.
Silkscreen on Laval cloth. 12 x 10 in
Sandra Fernandez
Movement, Migration and Home NYC, 2020
Recomposed and Sewn cut-out silkscreen and etchings. 96 x 48 in
Mary Ting
Excerpt from Witch, Whore, Widow, 2009
Cut paper, soot, collage. 51 1/2 x 36 in
Mary Ting
1949 Chinese Landscape, 2000
Ink, watercolor, cut paper. 11 1/2 x 9 in
Mary Ting
The Anguish of Knowing / Not Knowing, 2001
Photo transfer, cut paper. 9 1/2 x 5 in
Mary Ting
1968 Chinese Landscape, 2000
Watercolor, cut paper. 13 x 10 in
Emna Zghal
Cultures of War, An Essay, 2005
Digital Print. Closed 12 x 16 in
Pena Bonita
Books in a Tube I-VIII, 2013-2021
Mix media, natural materials. 8 pieces each
19 x 4 in
Chakaia Booker
Untitled (PCNY) A/P - 6/30, 2011
Woodcut and chine collé. 20 1/2 x 25 in
Chakaia Booker
Untitled, 2016 A/P
Photography and chine collé. 29 x 20 in
Irma Bohórquez-Geisler
Tamales, 2004
Silver gelatin print. 17 1/4 x 13 1/4 in
Irma Bohórquez-Geisler
Martha Reyes First Communion, 2004
Silver gelatin print. 17 1/4 x 13 1/4 in
Irma Bohórquez-Geisler
Groomsmen, 2007
Silver gelatin print. 17 1/4 x 13 1/4 in
Irma Bohórquez-Geisler
Eduardo Reyes Baptize, 2005
Silver gelatin print. 17 1/4 x 13 1/4 in
Irma Bohórquez-Geisler
Teenagers, 2004
Silver gelatin print. 17 1/4 x 13 1/4 in
Irma Bohórquez-Geisler
Leticia Flores at Atlixco Bakery, 2009
Silver gelatin print. 17 1/4 x 13 1/4 in
Irma Bohórquez-Geisler
Cipriana Reyes Guzman, visiting her daughter in New York, 2011
Silver gelatin print. 17 1/4 x 13 1/4 in
Irma Bohórquez-Geisler Tulcingo
Bakery Ofrenda-Altar, Day of the Dead, 2004.
Silver gelatin print. 17 1/2 x 13 1/2 in.
Robin Holder
Enrique 1999
Xerox transfer, stencil monoprint, photo litho,
and archival pigment print. 16 3/4 x 11 in
Robin Holder
Try to Protect Them, 2009
Xerox transfer with stencils, photo litho, inkjet print.16 1/2 x 10 3/4 in
Robin Holder
Gentrification, 2019
Drawing, archival inkjet print. 18 1/2 x 13 1/2 in
Tara Sabharwal
Unstoppable, 2020
Watercolor and collage on silkscreen. 110 x 90 in
Comprised of 15 sheets each 22 x 39 in
Mildred Beltre
BGM, 2015
Color pencil on walnut. 88 x 90 in
Helen Frederick
Fascia Series: Grey and Red, 2018
Pulp painting and silkscreen. 42 x 24 in
Helen Frederick
Fascia Series: Yellow Band, 2018
Pulp painting and silkscreen. 42 x 24 in
Sobia Ahmad
Landmark I, 2018 - 2019
Handwoven paper dyed with India ink. 38 x 24 in
Sobia Ahmad
Whenever you are is called Here
(non-flags / counter-flags/anti-flags), 2019
Screen print and weaving on rice bags.
Each 14 x 25 in
Image Photography : Rodríguez Calero
Press Release