Migration
Migration Stories
August 14 - September 25, 2021
Installation Photography : Christian Carone

Leslie Jean-Bart
Untitled #1, 2016
Archival Pigment print, Edition 15.
17 x 22 in

Leslie Jean-Bart
Untitled #3, 2016
Archival Pigment print, Edition 15.
17 x 22 in

Leslie Jean-Bart
Untitled #4, 2016
Archival Pigment print, Edition 15.
17 x 22 in

Leslie Jean-Bart
Untitled #5, 2016
Archival Pigment print, Edition 15.
17 x 22 in

Leslie Jean-Bart
Untitled #2, 2016
Archival Pigment print, Edition 15.
17 x 22 in

Leslie Jean-Bart
Untitled #6, 2016
Archival Pigment print, Edition 15.
17 x 22 in

Osi Audu
Self-Portrait after Efik Headdress, 2018
Pastel, graphite on paper mounted on canvas.
22 x 31 in

Osi Audu
Self-Portrait after Dogon Bird Mask, 2018 – 2021
Pastel, graphite on paper mounter on canvas.
22 x 31 in

Alicia Henry
Untitled, 2020 – 2021
Wool, synthetic wool, cotton, linen, acrylic, dye,
charcoal, thread, yarn. 48 x 42 in

Trokon Nagbe
Holding to give life, 2018
Mulberry paper. 60 x 48 in

Trokon Nagbe
Holding to give life, 2018
Mulberry paper. 42 x 40 in

Nadema Agard
Blue Night Turtle Moon-Birth Amulet of the West, 1993
Mix media soft sculpture, acrylic on canvas. 27 1/2 x 27 1/2 in

Nadema Agard
Yellow Day Lizard Sun-Birth Amulet of the South,1993
Mix media soft sculpture, acrylic on canvas. 27 1/2 x 27 1/2 in

Omid Shekari
Potency of the Conscious Crowd, 2021
Acrylic on canvas. 72 x 95 in

Terry Boddie
Blueprint, AP 3, 2012
Cyanotype on paper. 23 x 28 in

Ben Zalwalich
Rikki-Tikki-Tavi VIII, 2013
Etching, Aquatint, Mezzotint.
19 1/2 x 15 3/4 in

Ben Zalwalich
Rikki-Tikki-Tavi IX, 2013
Etching, Aquatint, Mezzotint.
19 1/2 x 15 3/4 in

Ben Zalwalich
Rikki-Tikki-Tavi I, 2013
Etching, Aquatint, Mezzotint.
19 1/2 x 15 3/4 in

Miguel Rivera
In Between II, 2020.
Mix Media print and drawing. 30 x 22 in

Miguel Rivera
In Between I, 2020
Mix Media print and drawing. 30 x 22 in

Pena Bonita
Noel's Journey, 2006
Photograph. 32 x 21 1/2 in

Helen Zughaib
Syrian Migration Series #1, 2017
Archival pigment print on German etching paper. 18 x 12 in

Helen Zughaib
Syrian Migration Series #10, 2017
Archival pigment print on German etching paper. 18 x 12 in

Helen Zughaib
Syrian Migration Series #13, 2017
Archival pigment print on German etching paper. 18 x 12 in

Helen Zughaib
Syrian Migration Series #14, 2017
Archival pigment print on German etching paper. 12 x 18 in

Helen Zughaib
Syrian Migration Series #16, 2017
Archival pigment print on German etching paper. 18 x 12 in

Helen Zughaib
Syrian Migration Series #17, 2017
Archival pigment print on German etching paper. 12 x 18 in

Helen Zughaib
Syrian Migration Series #21, 2017
Archival pigment print on German etching paper. 12 x 18 in

Helen Zughaib
Syrian Migration Series #22, 2017
Archival pigment print on German etching paper.
12 x 18 in

Tomie Arai
Momotaro Portfolio, 2003
9 Etchings. Each 15 x 11 in

Tomie Arai
Grief. Momotaro Portfolio, 2013
Etching. 15 x 11 in

Tomie Arai
Hope. Momotaro Portfolio, 2013
Etching. 15 x 11 in

Tomie Arai
Possibility. Momotaro Portfolio, 2013
Etching. 15 x 11 in

Tomie Arai
Father and Son. Momotaro Portfolio, 2013
Etching. 15 x 11 in

Tomie Arai
Peachboy. Momotaro Portfolio, 2013
Etching. 15 x 11 in

Tomie Arai
A Soldier's Story. Momotaro Portfolio, 2013
Etching. 15 x 11 in

Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in

Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in

Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in

Shervone Neckles
Give & Take Series, 2014.
Polymer plate print (3/10). 15 x 11 in

Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in

Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in

Shervone Neckles
Give & Take Series, 2014
Polymer plate print (3/10). 15 x 11 in

Shervone Neckles
Provenance, 2018.
Silkscreen on Laval cloth. 12 x 10 in

Sandra Fernandez
Movement, Migration and Home NYC, 2020
Recomposed and Sewn cut-out silkscreen and etchings. 96 x 48 in

Mary Ting
Excerpt from Witch, Whore, Widow, 2009
Cut paper, soot, collage. 51 1/2 x 36 in

Mary Ting
1949 Chinese Landscape, 2000
Ink, watercolor, cut paper. 11 1/2 x 9 in

Mary Ting
The Anguish of Knowing / Not Knowing, 2001
Photo transfer, cut paper. 9 1/2 x 5 in

Mary Ting
1968 Chinese Landscape, 2000
Watercolor, cut paper. 13 x 10 in

Emna Zghal
Cultures of War, An Essay, 2005
Digital Print. Closed 12 x 16 in

Pena Bonita
Books in a Tube I-VIII, 2013-2021
Mix media, natural materials. 8 pieces each
19 x 4 in

Chakaia Booker
Untitled (PCNY) A/P - 6/30, 2011
Woodcut and chine collé. 20 1/2 x 25 in

Chakaia Booker
Untitled, 2016 A/P
Photography and chine collé. 29 x 20 in

Irma Bohórquez-Geisler
Tamales, 2004
Silver gelatin print. 17 1/4 x 13 1/4 in

Irma Bohórquez-Geisler
Martha Reyes First Communion, 2004
Silver gelatin print. 17 1/4 x 13 1/4 in

Irma Bohórquez-Geisler
Groomsmen, 2007
Silver gelatin print. 17 1/4 x 13 1/4 in

Irma Bohórquez-Geisler
Eduardo Reyes Baptize, 2005
Silver gelatin print. 17 1/4 x 13 1/4 in

Irma Bohórquez-Geisler
Teenagers, 2004
Silver gelatin print. 17 1/4 x 13 1/4 in

Irma Bohórquez-Geisler
Leticia Flores at Atlixco Bakery, 2009
Silver gelatin print. 17 1/4 x 13 1/4 in

Irma Bohórquez-Geisler
Cipriana Reyes Guzman, visiting her daughter in New York, 2011
Silver gelatin print. 17 1/4 x 13 1/4 in

Irma Bohórquez-Geisler Tulcingo
Bakery Ofrenda-Altar, Day of the Dead, 2004.
Silver gelatin print. 17 1/2 x 13 1/2 in.

Robin Holder
Enrique 1999
Xerox transfer, stencil monoprint, photo litho,
and archival pigment print. 16 3/4 x 11 in

Robin Holder
Try to Protect Them, 2009
Xerox transfer with stencils, photo litho, inkjet print.16 1/2 x 10 3/4 in

Robin Holder
Gentrification, 2019
Drawing, archival inkjet print. 18 1/2 x 13 1/2 in

Tara Sabharwal
Unstoppable, 2020
Watercolor and collage on silkscreen. 110 x 90 in
Comprised of 15 sheets each 22 x 39 in

Mildred Beltre
BGM, 2015
Color pencil on walnut. 88 x 90 in

Helen Frederick
Fascia Series: Grey and Red, 2018
Pulp painting and silkscreen. 42 x 24 in

Helen Frederick
Fascia Series: Yellow Band, 2018
Pulp painting and silkscreen. 42 x 24 in

Sobia Ahmad
Landmark I, 2018 - 2019
Handwoven paper dyed with India ink. 38 x 24 in

Sobia Ahmad
Whenever you are is called Here
(non-flags / counter-flags/anti-flags), 2019
Screen print and weaving on rice bags.
Each 14 x 25 in
Image Photography : Rodríguez Calero
Press Release
Migration Stories
From August 14 through September 25, 2021, the Wilmer Jennings Gallery at Kenkeleba is pleased to present MIGRATION STORIES, a thematic exhibition of works by 23 artists from different cultures, races, religions and hemispheres.
There are over 80 million displaced people in the world today. We know now that the causes of migration are many, complex and global in nature—colonization, slavery, neo colonialism, environmental disasters, ethnic extinction, political persecution, war, poverty—the list grows. At the same time, refugees across the world also confront a surge of xenophobia. Here, the ‘other’ is not only demonized, but also turned into an existential threat. In this age of global anxiety, the mere ‘otherness of the other’ becomes yet another source of anxiety. The artists in this exhibition have more than confronted difficult ideas and situations. Through their art they not only survive, but flourish intellectually and spiritually, and they offer us unique conceptions of beauty, insight and consequent recognition and understanding.
The MIGRATION STORIES exhibition, curated by Tara Sabharwal, presents paintings, photographs, prints, drawings and installations by Nadema Agard, Sobia Ahmad, Tomie Arai, Osi Audu, Mildred Beltre, Terry Boddie, Irma Bohorquez-Geisler, Pena Bonita, Chakaia Booker, Sandra C. Fernandez, Helen Frederick, Alicia Henry, Robin Holder, Leslie Jean-Bart, Trokon Nagbe, Shervone Neckles, Miguel Rivera, Tara Sabharwal, Omid Shekari, Mary Ting, Ben Zawalich, Emna Zghal, and Helen Zughaib.
The exhibiting artists have learned to live within American communities as natural outsiders, and thus have formed their own borderless intersections. They are not refugees, but speak for them. Their works address in-betweenness, a space between cultures where relationships and negotiations consistently define and redefine themselves, remaining unfixed, in a state of transformation.
Much of the work in this exhibition is about memory and transformation. There are repeating ideas of the meaning of home and family. The almost tangible desire for home is a strong and natural common denominator. The tangible and intangible notions of self-connections with the physicality of landscapes, and the ties between the psychic environment, and the physical locations through the course of time are palpable in the works. A viewer sees the works forming bridges between the old and the new, or between the traditional and the urban cultures.
The need to confront these crises is vital and urgent. It seems the world is where it is today due to countless wrong and ruthless decisions in favor of short-sighted greed. Perhaps the refugees are just the first, most vulnerable victims, of an unsustainable system that will eventually consume us all. Many immigrants have completed painful odysseys. The artists in the MIGRATION STORIES exhibition compel us to see ourselves in them.
Kenkeleba programs are funded in part by the New York City Department of Cultural Affairs in partnership with the City Council and many generous friends.
